Mhambi has been redeployed.

Showing posts with label Rose and Olive. Show all posts
Showing posts with label Rose and Olive. Show all posts

Sunday, December 23, 2007

...for fun...


beginning
Originally uploaded by tetheredto.

...so here is some more gratuitous gorgeousness, this one of Rose, an old favorite of mine...

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Monday, October 15, 2007

What doesn't move, the snow will cover


What doesn't move, the snow will cover
Originally uploaded by tetheredto.

Here they go again, my favourite Flickr photographers - Rose and Olive. This pic is lovely & strange I'm sure you'd agree.

But what is it with this intrigue in naked women, and is it art? In this weeks Guardian Germaine Greer, in response to a new exibition on Naked Potraiture, explained why women artists started taking their clothes off for their art .



a tenacious misfortune lodges in the loveliest bodies
Originally uploaded by tetheredto.


Mhambi as you may know has himself been intrigued, informed not to mention tittelated and charmed by the many intimate pictures by females of themselves found on Flickr. Some of it is unashamedly erotic and (self) exploitative (watch those page view counters grow) some gorgeous, viceral, disturbing and poetic.

According to Greer models in Renaissance nude paintings - even of female subjects - were almost always male, but by the beginning of the 20th century the naked portrait was becoming something of a female speciality.



Girl in red shoes
Originally uploaded by Miss Aniela.


"Only courtesans allowed themselves to be painted, naked and bejewelled, often horizontal, usually thinly disguised as goddesses and personifications, by the best artists of the day. The elegant female figures of Lucas Cranach the elder, nude but for massive gold chains and sumptuous hats, are almost certainly paintings in this genre. The painting by Raphael known as La Fornarina, with its deliberately erotic play of dark eyes and half-smile, is probably a portrait of a courtesan called Beatrice Ferrarese. Portraits of Diane de Poitiers naked outnumber portraits of her clothed; her naked effigy in stone still rules over her house at Chenonceau. Gabrielle d'Estrées posed naked nearly as often as Diane de Poitiers; the double portrait of her pinching the nipple of another naked lady (whose identity is the subject of some disagreement) is probably the best-known work of the Fontainebleau School, and parent to dozens of half-length portraits of naked ladies. All the painters of the Venetian school limned the beauty of the city's chief stock in trade, for the courtesans themselves, for their protectors, and for their clients to take home as mementoes.




speaks like dead fingernails
Originally uploaded by joycake.



The nakedness of respectable wives is not exposed to the public until very much later. Even the picture by Rubens that is usually supposed to be of his second wife, Hélène Fourment, emerging naked from a fur coat is probably no such thing, and the model for Rembrandt's Bathsheba may not have been his common-law wife, Hendrikje Stoffels.


gone crazy
Originally uploaded by calico courtney brooke.



If the art of the 19th century is revelation of the troubled self, the art of the 20th is revelation of the self as body. For reasons that feminism has explained ad nauseam, embodiment is a crucial issue for all women and creative women especially. In 1983 Edward Lucie-Smith wrote that the naked portrait was becoming a female specialty, citing Sandra Fisher's portrait of Ron Kitaj in Jerusalem, as well as naming Polly Hope, Maggi Hambling and Sarah Lloyd.


how many ways can i tell them that i love them?
Originally uploaded by dirtyfeet.



Women artists have always produced a disproportionate number of self-portraits; what is striking is how, in the early years of the 20th century, they took their clothes off to do it. In the beginning, the male artists more or less kept pace. When Paula Modersohn-Becker painted herself naked, she had Edvard Munch, Oskar Kokoschka, Egon Schiele and Lovis Corinth keeping pace with her. Since then, a horde of women artists who use their own bodies as their principal medium of expression has overrun the art scene. When Alice Neel paints her naked self, palette in hand, at the age of 80 she is doing much the same thing as Lucian Freud in 1993, painting herself as she might any other subject. The younger generation are doing something very different.


restricted
Originally uploaded by avolare.



When it comes to the work of Hannah Wilke, Francesca Woodman, Helen Chadwick, Jo Spence, Joyce Gunn-Cairns, Lucy Jones, Sarah Lucas, Tracey Emin, Elinor Carucci, Jemima Stehli, Joan Semmel and Alexa Wright, the artist's body is not just another subject among many. To list such work as naked portraiture is to maroon it in a lesser genre.

IMG_232211v2
Originally uploaded by kometa_raketa.


Hammer (the organiser of the exhibition) seems unaware of the heroic dimension of Hannah Wilke's work, and includes her piece Super-T-Art as if it were no more than an elaborated projection of the artist's own likeness. For Wilke, her own body was an art object that she deployed in performances, videos and photographs, acting out internalised masculine fantasy. The capitulation was of necessity partial, and feminists found much to complain of in Wilke's exploitation of her own undeniable beauty. After Wilke was diagnosed with lymphoma, she documented the devastation of her beauty in much the same way as she had earlier enacted ritual mutilations. She remains an artist too important to be lumped in with pedestrian makers of naked portraits.


self-portrait waiting
Originally uploaded by olya.ivanova.



Wilke died in 1993; Jo Spence's journey through terminal cancer had ended a few months before. Again, we must conclude that her subject is not herself but the conceptual system in which women struggle to function. Helen Chadwick is another artist whose subject is not her elegant nude body but the world of illusion in which that body has its being.

Erotic Ambivalent & Cruel
Originally uploaded by CinemaCowgirl.


When Francesca Woodman turns her back to the camera and cowers in a filthy corner, we must question whether her practice can safely be called portraiture. Something far more significant seems to be happening, something that lines her up with Ana Mendieta, for example. We might as well call the woman-shaped depressions Mendieta made in the ground when she was working, and even when she leaped out of a window to her death, self-portraits, as lump Woodman in with the self-publicists. Woodman, too, committed suicide by jumping out of a window, three months before her 23rd birthday, leaving us hundreds of extraordinary photographs. Female body art is a high-risk business.


disorder
Originally uploaded by .séverine.



Naked portraiture is a poorly defined sub-class of a pedestrian genre, calculated to appeal to a culture both besotted with celebrity and visually illiterate.


In terms of abiding aesthetic value, Polly Borland's photograph of me naked on my bed, for example, has nothing to offer beyond the footling detail of the toile de jouy wallpaper of my bedroom, which is at least in focus, unlike my face. It was the photographer's whim to photograph me in my bedroom, and mine to wear nothing, because I own neither a nightgown nor pyjamas."

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Wednesday, September 05, 2007

after the birds outside the apt. say hello


after the birds outside the apt. say hello
Originally uploaded by tetheredto.

Mhambi has long been enamoured with Olive & Rose, their pics and their prose. Allot of what they do is gorgeous and unashamedly naughty. Lovely.

there's coffee in a ceramic mug next door at the happy lobster cafe, santa claus drawn across the handle in magic marker. evaporated milk in a tiny silver pouring cup next to a saucer of raw cane sugar. there's a flat screen t.v. above the door playing only commercials sponsored by the tourism board of the government. caves and jungles and photos of impossibly shiny buses fly into and out of the silent screen.

a seven person group of australians pass around a digital camera and yell at one another, shifting naturally until a finger hovers above the shutter, and then smiling, their eyes wrinkling at the sides, someone accidentally blinking, someone else caught mid-mouth asking if there's enough light. two women hold handtowels behind the bar and stare at bottles of coconut rum while they talk, one of them touching her hair with the towel, the other one so very, very still.

a barefoot man in a straw hat sells bags of papaya and folds a basket of baby dresses on the sand street outside and waves at me when he realizes that i'm staring, when i realize that he's staring too.

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Rose and Olive does video as well

Very sexy & fun. And Olives delicious laugh. Yum!

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Sunday, May 06, 2007

The Free Way


The Free Way.
Originally uploaded by tetheredto.

Mhambi likes to think that the existencialists were right. What we do with our lives are to a great extent up to us. It's very exciting, but scary, all this responsibility for living.

And be careful not to get caught by the Highway patrol.

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Monday, April 23, 2007

Mhambi's obsessions

At last Mhambi was transferred to Google's brand spanking new blogger, complete with categories! Now you can easily navigate my blog and find out I'm obsessed - amonst other things - with Identity politics, and General named De la Rey, what the Brits (or should that be the English) think of Afrikaners, the potential of technology and the web and Flickr sirens Rose and Olive.

Speaking of which, hows this for yet another gorgeous photo by the girls from Texas.

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Tuesday, March 13, 2007

i spill my bright incalculable.

Here's another pic from Mhambi's favourite Flickr artists. This one is a self portrait by Olive. I had to rip this one (probably due to Flickr's selective restrictions on nudity).

Mhambi also learnt that Olive loves artist William Kentridge, which just shows how right I was when I latched onto them. These girls have taste.


O Thou to whom the musical white spring

offers her lily inextinguishable,
taught by thy tremulous grace bravely...

Though from whose
feet reincarnate song suddenly leaping
flameflung, mounts, inimitably, to lose
herself where the wet stars are softly keeping

their exquisit dreams -- O Love! upon thy shrine
of intangible commemoration,

i spill my bright incalculable soul!

-- e.e. cummings

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Wednesday, February 14, 2007

about space heaters or it could be an extended metaphor.

Here is some more of Texans Rose and Olive, Flickr's brilliant photographer-poet-muses.

Some of their pictures come with a:

Warning: fires and burns caused by contact with or close proximity to the flame, heating element, or hot surface area.

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Sunday, February 11, 2007

they fold up


they fold up
Originally uploaded by tetheredto.
South African politics can be tiresome in the extreme. So instead, here's a lovely pic from Rose and Olive for a relaxing Sunday eve.

they fold up

These are loose women who smoke by themsleves.
You meet them up at night and leave after coffee, like friends,
in the morning. They're all young, they all want
your eyes, your attention. They like to laugh
and act so refined. If you go for a walk in the hills,
watch out for the rain: they fold up like little girls.
But they know how to make love. Know more than a man.
They're alive and so sleek, and even when naked
they'll talk with their usual spirit.

-- cesare pavese

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Thursday, December 14, 2006

Rose...

Yes, Rose and Olive aka Tetheredtothe sun, my favourite ex Flickr photographers, are back. And their pictures are still stunning. Oh, Joy!

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and Olive...


green green green
Originally uploaded by roseandolive.
(This is Rose in the picture by the way).

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are back



Originally uploaded by roseandolive.
Rose and Olive are experts at playing with light and bodies.

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Can you see my left red foot?

A picture sometimes is worth a thousand words....

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Monday, November 13, 2006

The sun rises again with Rose and Olive in tow


You all know Mhambi has a thing for Olive and Rose, the delectable photographers that suddenly dissapeared from Flickr. Well Mhambi got a really nice email from them in response to some friendly advice. And the good news is they will be starting their own site. Although unfortunately its not up and running yet.

Good morning, Mhambi. Yes, flickr deleted us without even a moment's notice, throwing away everything we'd posted, including the writing, which went unsaved unfortunately. But when the pieces fall apart, you put them back together in a new way, a stronger way, a more interesting way hopefully. so, where is your neck of the woods? You know we're not exactly opposed to finding good excuses to travel. And we're good houseguests. We've been known to bathe our hosts in lavender and bubbles, for instance.
olive


Mhambi wrote:
no probs... keep up the good work...

if my gf and i were in your neck of the woods we'd volunteer to be
models anyday :)

do keep a book in mind as well. taschen would be crazy not to take you. did flickr delete your account as well?

On 26/10/06, rose andolive wrote:
> Thanks for this honest and insightful mail.. we've taken it in... We have
> wanted to be a part of nerve for a while, and doing that doesn't exclude us
> from pursuing other things. We have a temporary site up on
> tetheredtothesun.com. If you're interested in looking around on nerve until
> that's a more functional site, I'll include a login below.
> Thanks again for the input...

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Thursday, October 12, 2006

Yahoo! get their knickers into a twist

Mhambi would like to register his displeasure. His favorite Flickr members Tetheredtothesun have disappeared, including hundreds of gorgeous (and titillating) photos and all from Flickr. But Mhambi expects he knows what happened. See Flickr is owned by Yahoo!

Now Rose and Olive certainly did not get the boot because their pictures were too risque. Nope, there are many pictures on Flickr far more revealing and with less artistic merit, than these two delicious gals' pics.

Nope, one suspects that some manager (with an MBA no doubt) read on their flickr pages that Olive and Rose were starting a paid for site at Nerve, thus soliciting business to a rival! How can they! The outrage!!

Now only an old style manager with no conception of how new media works would try and keep his audience from wondering to other websites, and destroy good content and allot of good will to boot. Yahoo! will always play catch-up while their new media savvy staff have to play second fiddle too a bunch of managers that still don't get the net.

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